An old set of Limelight flyers (above) that take us back to better days.

https://crackbillionair.wordpress.com/2012/11/11/limelight-no-simple-pill-to-swallow/

I like the careful consideration to the subtext of the film– without calling the feds to the mat, the film suggests that there was massive misconduct. As someone who lived through the experience first hand, I know just how horrific the prosecutor side was because the initial indictment had claims that turned out to be false, and yet they did not drop the case but instead added murky charges like RICO. And once the headlines were printed, there was no way to recover from the damage. The feds lied repeatedly (and without any recourse) and said they while doing surveillance that my father took cocaine from his desk drawer and laughed as they put this in a report which was in his first indictment. Try defending yourself in federal court and in the court of public opinion when the NY Post read like a Giuliani newsletter.
My dad wanted someone to get answers from the prosecutors and the DEA agents because they never took the stand– I was hoping they would trust that the director was law enforcement friendly and could give their perspective. Sadly, I still want answers. Even without realizing that I was part of the film, no one on the government side would speak to rakontur– even a DEA agent who participated in a puff piece book (where no one from the defense side was ever asked to counter what he claimed) refused to be interviewed– he must have been too busy playing golf with Lord Michael (I am being literal and not facetious). DEA headquarters only agreed to an interview if “Gatien” was not mentioned– so basically we got nothing to explain how they could in clear consciousness proceed with the case knowing that every witness was lying to get a 5K letter (not one person who cooperated did ANY time despite mandatory minimums for their crimes which were on wiretaps and undeniable, and most significantly HAD NOTHING TO DO WITH MY FATHER but their own profit making schemes).
Incidentally, my dad’s disappointment in the film is authentic and not some marketing ploy. He felt that the feds got away scot free once again.

It isn’t very often that we write something that doesn’t head directly into oblivion, but lo and behold, we were enormously gratified at the notice that Jen Gatien, who we consider royalty, has given to our Twitter and to this little page of ours.  Above appears Ms. Gatien’s very much appreciated comments on our thoughts on Limelight, as well as some of her personal feelings about the hardships her family suffered at the hands of the federal government.  It was also wild to have some very nice words tweeted about us by the film’s director, who’s films we absolutely love, Billy Corben.

Billy Corben ‏@BillyCorben
Fascinating comprehensive analysis of @rakonturmiami movie LIMELIGHT: Rise & Fall of Peter Gatien https://crackbillionair.wordpress.com/2012/11/11/limelight-no-simple-pill-to-swallow/ … via @crackbillionair

What a tremendous thrill to be noticed by Jen Gatien and Billy Corben.  We are very grateful to them for taking the time to read what amounted to a voluminous stack of text, some 4,000 plus words.  We had felt any real readers we have, appreciating the nature of this site, would want to know our take on Limelight, and so, when we lost the original critique during Hurricane Sandy, we endeavored to reproduce it.  By the way, we should thank our readers as well, who have pushed us up to 2.1 million views since we clicked on in March of 2010.  Thanks all.

Still, had we known that Ms. Gatien and Mr. Corben would grace us with their time, we probably would have primped the piece up some more.  We definitely meant Mr. Gatien no disrespect whatsoever.  We’d like to be clear on that.  Peter Gatien is a hero of ours who symbolizes all that is great about NYC and what NYC should be about, minus the fascist element.  As always, we only mean to speak candidly here in this space, and hope Mr. Gatien can take some solace from the fact that we did indeed understand the outrageous persecution he was subjected to, and thought the film did a good job portraying it, even without the participation of the persecutors, who frankly, had nothing to gain by going on the record.

In fact, their silence only underscores their maniacal intent, devious perversions of the law and the news, and acts to verify their standing as the true villains, the overwhelming face of evil.

When we look back on better days, the preferred memory is Limelight VIP all the way, lounging in that little glass room in the steeple, or surveying the dance floor from our convenient perch.  It was a very lucky thing that we were a part of.

Crack (https://crackbillionair.wordpress.com)