Victor Calderone


RkdBSTk4N25LQ00x_o_the-scumfrog-feat-sting---if-i-ever-lose-my-faith-dub-

On Sunday morning, December the 23rd, after copious pre-partying at my friend’s apartment in Brooklyn, our group of 5 split up, with three driving into The Village as a unit, and the other two, myself and who we’ll refer to for these purposes as “Dr. No”, taking car service down to 218 Sullivan St. for the purposes of taking in The Scumfrog, live and in person.  At exactly 3:03 AM, we sprung from the taxi, presented our pre-printed tickets to some very amenable door men, when we found out that we were the last on the “Want Tickets” list to arrive (you know, best for last sorta thing), thanked them, tipped them, and bounded in for our red stamps.  Coat check seemed daunting so we held our coats for a bit, as some of the drinking crowd seemed to be hitting the exits–as always–before things had even gotten good.  We entered to the sound of Billy Idol’s “White Wedding”, a creepy rendition, quite frankly, which we found much to our liking.  It’s very easy to identify a deejay by sound.  We’ve been doing so for years.  We could see it was Scumfrog, as he was visible in the booth, and we probably were never more than 50′ from him on the whole evening, which is a credit to The Sullivan Room, an incredibly intimate venue.  But if he were perhaps obscured, we’d have known it was him.  The Scumfrog is very distinct and has a fondness for Rock & Roll–over thick, chunky beats, which these were.

https://crackbillionair.wordpress.com/2012/12/21/dj-chus-scumfrog-set-the-standard-in-weekly-podcast-series/

Dr. No had taken a wrong turn somewhere upon entrance.  No doubt he would turn up.  So I grabbed a drink and went right for the upper deck, where there was plenty of seating, so I settled in with a prayer that no one would approach me, and just listened to the set.  While there’s a lot we admire about The Scumfrog’s music, if we had to narrow it down to one thing, we’d say it is the beats.  He’s very aggressive and we can appreciate that.  We grew up with Danny and JP, and cut our teeth at after hours clubs, here, in Miami, and in Las Vegas, for the most part.  Frankly, we don’t even like JP, who to us, is very “Jersey”, and whose sets are often, shall we say, askew.  To come out to a regular party, during “regular hours”, when you don’t even need to submit to a body cavity search upon entrance, and to be wowed by hard beats is very notable.  We’re sure that Scumfrog appreciates that the ear of the city is very refined, and we think the set reflected his respect for this House Music community.  Chunky is the word that best described the consistency of beats, which is a very high bit of praise, and was the word we were mumbling when Dr. No caught back up with us a few minutes later.

Dr. No had found a seated perch right off the dance floor and when he saw me, he called me over to that spot.  While we hate moving, it was the right thing to do.  Like any house party, the patrons are going to be predominantly men, but there was definitely some talent on the floor, and it only takes a few hot chicks dancing, because really, how many places can your eyes be in at once?  A couple of stripper quality chicks dancing (Saturday night strippers, not Monday night strippers) can go a long way.  Once I got set up over there, a guy came over and approached Dr. No.  I was happy to ignore it, happier still that he hadn’t approached me.  But I could hear the conversation, and this cat had a very Aussie accent, and so right away the very paranoid patron that I am started doubting it, wondering if this guy wasn’t a fake Australian/real pig.  So I am patiently waiting this thing out, when Dr. No mentions the Australian Open, and directs this kid to me, because I am a very big tennis fan.  Fuck.  It turns out, the guy probably was from Australia because he knew enough to talk about Aussie prodigy Bernard Tomic, which frankly, is not much of a topic among local 5-0.  He said that Tomic had some issues and I had said back that a player that good, that young, often has hiccups because they are raised in the spotlight.  Then the guy asked me for drugs.  LOL.  We knew it was coming and were glad to get it out of the way.  We do not know where to get drugs in The Sullivan Room and wouldn’t have told him, even if we knew.  Surely, if he approached everyone in the bar as he had us, he’d find them.  So that’s what we told him.  Ask around, but we can’t help you.  He was cool, and we really hope he found what he was looking for.  Surprisingly enough, he was the only person who asked us for drugs, which has to be some sort of a record.  One that we appreciated, because we are too para to get solicited in a situation like that.

We were paranoid indeed.  We were paranoid that our friends, “Dr. Mo”, his wife, “Dr. Jo”, and our friend “Dr. Bo”, had retired early and weren’t really on their way to the club.  Yes, we roll with doctors.  Three M.D.’s and one D.C.  And to tell the truth, they sorta look at me like a Godfather of sorts in these situations.  I had vouched heavily for The Scumfrog, so I was of course anxious to see them and to see them having fun.  Dr. Mo, an avid House fan (How serious, you ask?  His email tag is “twilofire”!), had also gone way back with The Scumfrog, and had lived in the same apartment building as him about ten years ago, on 34th and 3rd, where he saw him all the time.  It had turned out that they had been there, on the other side of the club, so they had heard a bit of the set.  A track came on–“No Can Do” by Hall & Oates.  Dr. Mo settled in on my left and asked me the following questions:

“Do you think he played ‘Trippin” yet?”

“What do you think of all the popular music?”

I knew he had not played “Trippin'” yet, and stated as such.  He asked me why I felt that way.  Because to play “Trippin” early in a set was amateurish, and probably even an amateur would not disrespect that track that way.  Also, I felt it would be bad form to play a request early in a set.  “Trippin'”, besides, is more of a set’s linchpin, and you wouldn’t waste it by blowing it prematurely.

The second question was more interesting.  My answer was honest.  I said that some hardcore fans would probably frown on popular music in that spot, think it’s campy.  Then again, we’ve all heard it done.  I’ve heard Steve Lawler drop the Red Hot Chili Peppers, heard Danny drop from Michael Jackson to 50 Cent (boo!), even heard Victor Calderone drop “Without Love” by the Doobie Brothers at the Old Crobar in Miami, and that selection probably made the most impact on me of any record I’ve ever heard spun.  We all love to hear identifiable music, especially when it’s good, and Scumfrog has an excellent sense of what the fans want to hear.  But this was a two part answer.  “As long as he drops them over hard beats, he’s got nothing to worry about.”, I said.  And Scumfrog really delivers at that, and we feel he has even improved at that, that his craft right now is extremely tight and polished.

In short, we picked the right spot to come out from under a rock.  Scumfrog was amazing, and we will be sure to repeat the affair the next time he plays The Sullivan Room, which was also even better than we remembered.  It’s an easy place to hang out.  Drinks are cheap, and all the workers are very appreciative, when you tip, whether they be barmen or bathroom attendants.  That’s the nice thing about going out these days.  We can actually afford to spend money, and always prefer to tip well for the enjoyment and the unofficial benefits that go with tipping, which we’ll not discuss in this space.

Somewhere around 4:25 AM, close enough to the end for us, and to 4:20 for that matter, The Scumfrog dropped “Trippin'”, B Side, as he so graciously sent us the link to.  What a gentleman.  We knew what it was immediately, and we went right to the booth to thank him.  We hope he heard us.  If not, here it is as well.  From there he played “If I ever Lose My Faith”, as we expected, and then to chants of “One More Track!”, he played “Asteroidz” by DBN Featuring Matilda, and it was quite a bomb.  In fact, it was the only time we took out our phone all night, as we did not want to seem rude, but at that point–last track–it hardly mattered.  We also actually felt bad about guilting The Scumfrog into playing “Trippin'” because we didn’t feel like the crowd was that warm to it, like these kids don’t know “Trippin'”, and therefore it felt a bit selfish on our part.  At any rate, we’ll take it.

The Scumfrog played a great set in a great room, and the only recognizable music we heard was either classic, or Scumfrog classic, in which case, we knew to expect some things because any deejay will fall back on a few tracks here and there.  And now, we have just a couple of questions.  Well, more, but we’ve narrowed it to 2.  One was, after a triumphant show like that, what does an ex-NYer from New Mexico do with himself?  Our bet would have to be real pizza.  The other, was he sporting a bit of a mustache now?

And for the unsanitized version of events, you may inquire within.  But if we tell you, we may have to kill you.

Crack (https://crackbillionair.wordpress.com)

The best beats will be at Electric Daisy Carnival’s NeonGarden all weekend, and tonight is probably the best night to go over to Met Life Stadium, as the acts appear rock solid for today, despite the fact that our beloved Danny Tenaglia will grace the stage, headlining on Saturday evening.

Check out the NeonGarden roster:

Friday, May 18th

Paige:  4:30 — 5:15 PM

Sleepy & Boo:  5:15 — 6:05 PM

Oscar G:  6:05 — 7:00 PM

Chriss Vargas:  7:00 — 8:00 PM

Cevin Fisher:  8:00 — 9:00 PM

Chus & Caballos:  9:00 — 10:00 PM

Boris:  10:00 — 11:00 PM

__ __ __ __

Saturday, May 19th

tINI:  12:00 — 1:00 PM

Nicole Maudaber:  1:00 PM — 2:00 PM

Layo & Bushwacka:  2:00 PM — 3:00 PM

Cassy:  3:00 — 4:00 PM

Art Department:  4:00 — 5:00 PM

Seth Troxler:  5:00  — 6:00 PM

John Digweed:  6:00 — 7:30 PM

Carl Cox:  7:30 — 9:30 PM

Danny Tenaglia:  9:30 — 11:00 PM

Sunday, May 20th

Ambivalent:  12:00 — 1:30 PM

VisionQuest:  1:30 — 3:00 PM

Magda:  3:00 — 4:30 PM

Hot Natured:  4:30 — 5:30 PM

Victor Calderone:  5:30 — 6:45 PM

Dubfire:  6:45 — 8:10 PM

Loco Dice:  8:10 — 9:35 PM

Richie Hawtin:  9:35 — 11:00 PM

……

Very nice Friday lineup.  Very NY friendly Friday lineup, as one would expect of a party hosted by Pacha.  Good for local act Sleepy & Boo, pulling a whole 50 minutes today.  We always liked them but never loved them.  That’s why they are stuck toiling at the Sullivan Room.  A little too light when it comes to hard beats, but never offensive.  We have seen them many times.  They do okay.  If you find their podcasts tough, you aren’t the only one.  Sounds very light outside the club.  We would hate to call such light house “NY house” and yet, we have to admit it probably is.  We have done worse and really, they are nothing to pout about.  But if you are only going out the once in a blue moon, take a pass on S & B.  They are the kind of duo that you’d catch when you are on a bender and find yourself out inordinately early on a Saturday night.  But they do play Cielo and Sullivan Room, and perhaps the mighty Pacha has warmed up to them since they are on Pacha’s card.  Frankly, we have heard better unknowns in Pachita, but we aren’t the average fan.

Oscar G, one half of Murk, is one of Miami’s finest.  We like him better than Chriss Vargas and Cevin Fisher, but they are playing those more local acts deeper in the night.  Incidentally, we hear Oscar G’s party on Wednesday’s in South Beach, called Copiscala, gets very hot.  Frankly, he is one of the Danny clones who plays it close to the vest, and doesn’t go toward trance.  Good for him.  We have paid real money to see him.  We can only say that about a few acts on the dais.

The best talent tonight is obviously Boris, and obviously the man practically made by Pacha is going to close.  Boris is a fine talent but we prefer others.  What can we say?  We weren’t born yesterday. We really like Chus & Caballos live, and we’d rather spend money on them than Boris, if they were competing.  Catching them both, and Oscar G on one card means very good value for the crowd in the “garden.”

Despite Danny, we aren’t into Saturday at all.  Plus, how is Sirius going to broadcast the whole festival when Danny famously refuses to consent to be played over the airwaves, even pay ones?  We like British duo Layo & Bushwacka.  We guess being friends with Carl Cox wasn’t enough to get them a good slot.  While we can take CC, we don’t pay to hear him.  Digweed?  Again, we weren’t born yesterday.  Danny is guaranteed to play a great set, if you could call 9:30-11:00 that.  With all this talent there, he will be on his best form.

Sunday is a horror show.  So trancey and weak.  Dubfire?  Please.  The guy’s name is Ali.  He is one half of the world’s greediest sellouts, formerly known as Deep Dish.  One day he is Ali and the next he is “Dubfire.”  What an asshole.  I have seen DD plenty of times.  They sold out around 2003, began overcharging, playing wack tracks, producing Puff Daddy, spinning his “vinyls”, even spinning them back to fucking back when Puffy entered the club.  Where he looked completely like a fish out of water, by the way.

Fuck Puffy.  Fuck Deep Dish.  Fuck Dubfire.  You will hear better house music on local Kingsborough air, 92.3 out of Sheepshead Bay.  For us, if you get stuck going to this mess on Sunday, Victor Calderone will save you.  That man plays the best style on Sunday’s card.  Richie Hawtin is an excellent house dj, a phenomenal musical talent and all, but too housey for us.  Keep in mind that politics and pecking order and whatnot are at play with a lot of these slots and times.

And if you are going there to get fucked up, be very careful.  New Jersey is a terrible place to be arrested.  They prey on crackheads, and their cops are the opposite of NY cops.  Their cops are eager beaver gung ho law enforcement douche bag fucks.  Just ask my boy who went to Surf Club one day, and ended up doing 9 months of weekend jail near Newark.

Be Smart and Have Fun.

Crack (https://crackbillionair.wordpress.com)

Winter Music Conference 2012

Winter Music Conference Announces 2012 Dates

Winter Music Conference
March 16-25, 2012
Miami Beach, FL

***For Immediate Release***

October 12, 2011 – South Florida, U.S.A.

Winter Music Conference (WMC) opened its 2012 season in South Florida today with the announcement of the Winter Music Conference 2012 dates. This will be the 27th annual program for what is largely regarded as the pre-eminent platform on the global music industry calendar for launching new music, technology and trends. Winter Music Conference Week 2012 happens March 16 – 25, 2012 in Miami Beach, Florida.

For 2012, WMC plans to further enhance the WMC experience by delivering ten non-stop days of music programming in Miami Beach and Miami. This expansion will wrap the program week with two full weekends of parties and events. WMC Co-founder, Bill Kelly, explains, “Expanding the WMC dates was an easy decision given the high demand of artists, businesses and industry delegates. Miami Beach and the greater Miami area boast some of the most celebrated event and club venues as well as the hotels and resorts that comprise South Beach’s famed Art Deco District. Hotels, restaurants, cafes, shops and every sort of possible entertainment venue are filled to capacity during WMC Week to the point where five days just wasn’t enough.”

New for 2012, WMC will be unveiling correlated segments of its industry program dedicated to music and fashion on its opening weekend and indie rock meets electronica programming under the WMC Rocks header on the closing weekend, in addition to its standard programming and events. More details will be announced over the coming weeks.

Winter Music Conference 2012

  • Music Meets Fashion: March 16 – 17, 2012
  • DJ Sets, Live Performances & Parties: March 16 – 25, 2012
  • WMC Music Industry Program: March 19 – 24, 2012
  • WMC Trade Show & Exhibits: March 19 – 20, 2012
  • Art & Record Collectors Show: March 24, 2012
  • WMC Rocks: March 23 – 25, 2012
  • Club & Poolside Events: March 16 – 25, 2012

Currently the WMC industry badge is being offered at a promotional Early Registration rate of $275 (over 40% off the Walk-Up rate) until October 26th, 2011. Registration includes access to panels, seminars, featured Q & A’s, the 27th Annual IDMAs, WMC official poolside events, South Beach Sessions, Record Collectors Show, WMC Rocks, trade show & exhibits, workshops (with the exception of the Remixing and Editing Workshops), DJ Spin-Offs, VJ Challenge as well as complimentary or reduced admission to WMC official and sanctioned events for the full ten days of programming.

Marketing opportunities are currently discounted by 30% through December 16, 2011. The WMC registration office and housing bureau is currently open at www.WinterMusicConference.com. WMC is also accepting applications, inquiries and requests for panels and workshops, DJ Spin Off, VJ Challenge, showcasing and events.


WMC Office:
3450 NE 12th Terrace
Fort Lauderdale, FL 33334
Phone: (954) 563-4444 * Fax (954) 563-1599
Email: info@WinterMusicConference.com
WinterMusicConference.com

Victor Calderone @ Cielo
    Thursday January 27
Robpromotions & Benny Soto present
Dance.Here.Now.

Victor Calderone
along with Cielo’s own
Nicolas Matar

Celebrating the Cielo 8 Year Anniversary!

Get Tickets

Cielo
18 Little W.12th Street NYC
Doors open 10pm

     
Winter Music Conference
Winter Music Conference Announces 2011 Dates

Winter Music Conference
March 8 – 12, 2011
Miami Beach, FL

***For Immediate Release***

Tuesday, November 16, 2010

Winter Music Conference’s 26th annual program will take place March 8 – 12, 2011 at the Miami Beach Convention Center and other venues throughout Miami Beach and the greater Miami area. Last year WMC attracted 3,763 registered music industry participants from 70 countries and over 100,000 event participants who took part in five non-stop concentrated days of seminars, workshops, exhibits and performances.

Over its 26-year history WMC has become known by industry insiders, audiophiles and fans alike as the pre-eminent date for merchandisers and manufacturers launching new music, technology and trends in the music business. According to Billboard Magazine’s April 3, 2010 issue, “WMC demonstrates (that) dance music retains a powerful allure among brands looking to connect with young, engaged consumers.”

During WMC, more than 500 annual industry gatherings and performance events boast one of the most sought after aggregations of legendary and emerging artists to be found in the world. WMC’s drawing power for assembling innovative music professionals and launching effective global campaigns is demonstrated year after year with career-launching performances and new releases by artists that have historically included Lady Gaga (WMC 2008), Rihanna (WMC 2006), the Black Eyed Peas (WMC 2009) and featured appearances in 2010 by artists like Deadmau5 and Grammy winner David Guetta, amongst hundreds of others. Of his appearance during WMC 2010, The Black Eyed Peas’ Will.I.Am told MTV News “I think it’s important to come out to WMC to test out the new beats you’ve been making — rockin’ the crowds, learning from the crowds”.

For 2011 WMC will continue to roll out new initiatives as part of its development plan bolstering the ‘WMC Experience’. Unlike previous events the conference has hosted at hotels such as the Fontainebleau and most recently the Eden Roc, this year will offer nearly unlimited opportunities for expansion and growth with its move to the Miami Beach Convention Center in the midst of South Beach. Organizers say “for many years WMC has been challenged to configure its rapidly developing program into limited meeting space.” This year we are able to offer the best of all worlds – enormous room for expansion of the industry program at one of the best locations in South Beach with easy access to the top venues, restaurants and beaches. We are also able to offer our delegates a diverse range of official WMC hotels from the historically luxurious Raleigh and Albion hotels to the plush new Grand Beach Hotel to the business-budget-minded South Beach Courtyard. Virtually every class of service, location and amenity at a price point to fit any budget are offered. WMC is widely known as one of the highest hotel occupancy generating events of the year in the South Florida area – so book your hotel stay early.

Currently the WMC industry badge is being offered at a promotional Early Registration rate of $275 (over 40% off the walk up rate) until November 30th, which includes access to all official WMC events across the conference dates. Marketing opportunities are currently discounted by 30% through December 10, 2010.


WMC Office:
3450 NE 12th Terrace
Fort Lauderdale, FL 33334
Phone: (954) 563-4444 * Fax (954) 563-1599
Email: info@wintermusicconference.com

This Friday Nov 5th  Victor Calderone
@ Glo Nightclub Long Island

Victor Sent to Destroy Glo ?  Click Here Watch Video
Girls $15.00 All Nite

25 Min From The Midtown Tunnel
737 Merrrick Ave Westbury NY
Info or Tables 5167948022

Pacha loves Brazil | Fri 11/5
Where beats and beauties are concerned, the best of Brazil is the best of the best. And Pacha’s got it tonight, with another round of sexy South American house from DJs Marco Carnaval & birthday boy Luciano Pardini.19+ to enter, 21+ to drink. Free admission before 12 midnight on the list

Oscar G | Sat 11/6
Hey Oscar, it’s your birthday! And there’’s plenty about this year to celebrate: Another amazing run as a resident in your native Miami, and a record-breaking year right here at Pacha. In September, you released “Live From NYC,” the double-album you recorded from our DJ booth, including your new single, and our favorite fist-pumping anthem, “F*ck the VIP.” What’s in store for 2011? We can’t wait to find out. $10 admission before 12 midnight on the list

Labor Day Monday September 6
Pacha NYC & Robpromotions present a special holiday event… 
Victor Calderone
Chus &Ceballos

at NEPTUNES

The Annual Hamptons Summer Closing Party
Along with Jason Ojeda

Doors 12noon – 8pm 

NEPTUNES BEACH CLUB 
70 Dune Road, E.Quogue, NY

Next Page »